Clint Bullard hones his craft playing the Southernmost city

Clint Bullard blew into Key West on the coattails of Hurricane Georges.
”It
was my first gig at the Hog’s Breath and I didn’t think I’d
make it,” the singer-songwriter recalled. “All the news broadcasts
were saying the Keys were closed.”
Bullard
came to play for two weeks and arrived in time to see his first
Fantasy Fest.
"As
great as it was, I still saw people walking around in a daze, trying
to enjoy themselves,” Bullard
remembered. “The after effects of the hurricane were still visible,
if you looked.” Bullard now plays the Hog’s Breath about every
six to eight weeks.
He
performs barefooted, in T-shirt and shorts, a far cry from the
image
of a country singer in Tony Lama boots, jeans, western shirt and cowboy
hat.
“I
began this on South Padre Island, Texas,” he said. “This is
the tropics, I dress for the tropics. I can’t image performing
on a deck with boots. However, this past winter was cold, so when I
was on
stage I had on long pants
and shoes - sometimes.”
Bullard
does wear the cowboy hat, jeans and boots when the venue calls
for it.
Last
year Bullard spent more than 100 days performing in Key West. “When I
first came here I didn’t know anyone,” he said. “Today, when I’m on
the Hog’s Breath’s stage and look into the crowd I see the faces of
friends I’ve made here.”
People
on vacation have come up to Bullard and told him they checked
his Web site –
www.clintbullard.com
- and planned their week in Key West around his schedule.
“Man, that
makes me feel good,” Bullard said. “The stage here feels like
it was made for me. It’s comfortable and everyone is great. I’m
having fun on stage and that has to translate to all the friends I see
while I’m singing.”
Charlie
Bauer, general manager of the Key West Hog’s Breath
since its opening in 1988, was responsible for bringing Bullard
to Key West.
“His music
helped lift the spirits of many people [after the hurricane],” he
said. “If
he raised a tent somewhere in town, he could hold a revival,” Bauer
laughed.
Born
and raised in Fort Worth, Texas, Bullard completed his degree in
radio,
TV and film from Texas Christian University and Baylor.
He minored in French in college and uses his Texas Spanish to charm
the Spanish-speaking guests
in the audience.
After
graduating he worked for two seasons on the TV production staff
of Ripley’s Believe It Or Not, in Hollywood, Calif.
But
the entertainment bug kept biting at him and he was soon performing
at the
club scene in Los Angeles
and then moved on to South Padre Island, where he
met and married Tricia Newhaus.
They
now live in Nashville, Tenn., where he writes full time.
While he writes
country music, his repertoire on stage goes from
country to pop and classic rock.
Bullard
has his thoughts on today’s country music and the recording
industry.
“The
record companies have homogenized the sound,” he said. “They
are trying to cross over to pop and listener ship is down. Texas groups
are up and
coming, Texas music is honest. I’m not
hearing honest country that much on the radio.”
Some
of Bullard’s most requested songs
are those he has written and more than a few of them are about his wife.
After singing one
of his own songs he yells out to the crowd, “I made that up, but
it’s
a true story.” And usually throws his arms up and yells, “Thank
you Key West!”
“Playing the diverse crowds of Key West has
been a big help to my performing skills,” he
said.
“There
is nothing like a live response to a new song.”
Bullard
takes song requests and often asks the person making the request
to join him on stage.
“Sometimes
it’s
great,” he said with a laugh. “Other
times the singing is awful, but I
am able to incorporate it in the
show and everyone seems to have
a good time with it.”
No
two nights are the same.
“I don’t
play anything I don’t like,” Bullard said. “There are
also songs I love but don’t play. I don’t ever want to get
tired of them, like the Eagles ‘Hotel
California.’”
Bullard
likes the music of Jerry Jeff Walker, Willie Nelson, Michael Martin
Murphy, America, the Eagles, B.W. Stephenson
and Brooks
and Dunn.
He
enjoys performing in Key West because of his friends, but the island
has also been
a testing ground for his music.
”I don’t
write when I come to Key West,” he said. “I’m usually
too beat after performing. Four hours on stage is draining. I don’t
do much afterward, but I’m
too hyped to go right to
sleep. Most nights I am
up until 4 a.m. watching
TV. But I do get a lot
of inspiration for songs
while I am here and put
them on paper
in Nashville.”
Bullard’s
first thoughts about coming to Key West to perform were how inspirational
the island had been for writers.
”I think if I was here for a six-month
stay without having to perform, Key West would be a good place to write,” he
said
As
for the future, Bullard is planning on exploring the Texas music
scene. “I
know eventually some of my songs will be recorded and on the radio,” he
said. His song “Mary Christmas from Texas, Y’all” has
been played for
the last three
Christmas seasons.
Tracy Byrd recorded
it.
“Of
course I want my songs on the charts,” Bullard said. “It
would be even
better if I was
singing them.”
In
the meantime, Bullard will keep on performing at the Hog’s
Breath - he will be there this week - with his personal experiences
evident in his songs.
“I consider himself an observer
of life,” he said.
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